Everything, indeed, in a work of art should be unedited,–and even the words, by the manner of grouping them, of shaping them to new meanings,–and one often regrets having an alphabet familiar to too many half-lettered persons

Everything, indeed, in a work of art should be unedited,–and even the words, by the manner of grouping them, of shaping them to new meanings,–and one often regrets having an alphabet familiar to too many half-lettered persons (Rémy de Gourmont, The Book of Masks)